newcombers | May 2024 Test Drive Meme: The First of Many to Come

"When we are tired, we are attacked by ideas we conquered long ago.”

Welcome to our first meme!

We will officially be opening our game June 1st at 12:01 AM EST.
Reserves will open on May 28th at 12:01 AM EST.
Applications will open on the 1st at 12:01 AM EST.
Applications will close on the 5th at 11:59 PM EST.

Please follow our Plurk

newcomb for updates regarding the opening of our game.

Our memes are open to current and prospective players alike.
All Test Drive memes are game canon and serve as a lead-up to the following month's event. The first prompt in each TDM will always coincide with the disastrous circumstances of Penumbra's collision.

This disaster will leave unique supplies or conditions for the following month until the reset in time occurs and a new collision invokes new circumstances.

Most characters upon initial arrival may suffer mild amnesia, fatigue, and diminished powers. Memories, energy, and powers will eventually return. Per player choice, this can be quickly or slowly.

You can use your TDM threads for writing samples on your application.
If you are applying for a new character, you can choose to keep your TDM threads canon to your character or not.

Even if our current players do not engage with the TDM, we strongly recommend they read each TDM to be aware of how Penumbra strikes Newcomb every month. We encourage characters to react to this via network or log posts in the community spaces.

Prompt 1 Prompt 2 Prompt 3 Questions

Premise Taken Applications Navigation

Image Descriptions from left to right: First image is a red train pictured along raised tracks set against pine trees in sunlight, second image is a gif of a train explosion as people flee from the destruction, third image is of a dark sky with orange lightning.

First Train In

Content Warnings.

Violent train crash, fire, explosions, burning, and injuries from such conditions.

Summary

Characters appear in a train that is crashing through the reality rip left behind by the meteor, Penumbra. The train falls onto the campus fields and mostly implodes.

Prompt

Once upon a time, Newcomb had its very own train station that was used by students and staff alike. Most students would arrive at campus via the train and supplies were often shipped in through the train. This very train station used to be located by Fitch End and was one of the first out-of-campus locations to be destroyed by Penumbra.

This month, it seems as if the reset has brought the train back. For a moment, anyway. One may awaken from a deep slumber in one of the passenger cars, groggy and nearly jetlagged. You will be surrounded by other characters waking up, just as disoriented and confused as you are.

The train ride itself isn't so bad though. The scenery beyond the windows is filled with gorgeous sprawling woods, already tinged with the golds and reds of autumn. The smell of pine and old leather fills the train and you will find your backpack in a cubby just above your head or on the seat beside you.

There is no way to exit the train at this point, no matter how one might try. What is the point anyway? Just sit back and enjoy the ride. Something is soothing about a train ride, after all. You may even feel tempted to fall back asleep. Maybe things will make more sense when you wake up again.

You won't have peace for long. The train jolts violently as if being struck by something, and after, everything descends into chaos. Cars begin to slam together, some smashing upward, shattering glass and doors, crushing seats. Explosions burst from the front of the train, and as it pivots onto campus, it scorches the ground.

Cars break apart, sliding into their destruction here and there against buildings or trees. It feels as though it happens both slowly and rapidly, defying time itself, the sound of a ticking clock somehow overwhelming the symphony of metal scraping against metal.

Oil from the train catches fire across campus grounds. While the buildings are fireproof and resilient, the rest of the campus is not and neither are some characters who may be wandering about perchance. As the disaster comes to a screeching halt, characters will have to help each other from the wreckage and help put out the fires.

The train will remain on campus for June. It can be broken apart for metal parts and explored for small, sentimental items or important weapons that belong to a character. The train will vanish in the blink of an eye as midnight hits on the 31st. The Penumbric siren alerts the campus of the reset and the incoming meteor and its potential new disaster.

You will have to brace yourself for what happens next.

Note on Penumbric Collision Prompts: Characters do not need to arrive in this prompt. You may opt-out entirely by having your character fall through the sky or wake up incredibly disoriented randomly on campus. Arrival to Newcomb should be somewhat physically and/or mentally draining or damaging. Even characters resistant to pain or injury will be temporarily vulnerable to the arrival.

Image Descriptions from left to right: First image is a shadowy humanoid with a black and gray smudge effect concealing the face, second image is a pair of hands covered in a black goopy substance, third image has several clear vials containing a smoky, goopy black substance.

Assimilation

Content Warnings.

Mysterious goo-like substance with parasitic qualities, manipulation of behavior, forced uncharacteristic behavior, very mild body horror.

Summary

A mysterious black goo escapes from a frozen boxcar on the train. This goo attaches to living organisms and begins to influence their behavior. The goo will either naturally slide off after some time or can be rubbed off the skin with freezing water.

Prompt

A curious boxcar can be discovered among the wreckage of the train. This boxcar was carefully sealed off and kept at freezing temperatures. Inside were metal crates filled with test tubes and Petri dishes containing a mysterious black goo.

During the fall, the boxcar's front end was ripped away. Between the raging fires from the crash and the exposure to higher temperatures, the vials and petri dishes thawed. Vials and Petri dishes began to break apart as the mysterious goo essentially "woke up" from its cryogenic state and escaped from the glass containers.

This mysterious goo seeks out living organisms and will subtly attach itself to character bodies. This can be as subtle as a dime-sized speck of mysterious goo behind a character's ear or consume half a character's body. The goo's attachment is painless. It has a tarlike odor and causes a strange prickling sensation the longer it remains attached to a character.

After some time, the goo will naturally slide off a character. Alternatively, a character can apply freezing water or ice to the goo and this will essentially "kill" the goo and slough it off in broken chunks.

While the goo is attached to characters, it will cause uncontrollable, unusual behavior. On a less severe end, symptoms may include disorientation, difficulty walking, slurred speech, confusion, and clinginess even to strangers. On a more extreme end, the goo may cause characters to act in ways contradictory to who they typically are: they may be prone to fits of violence, hysteria, flirtation, cruelty, or even for some, abundant kindness and outgoing friendliness.

The goo will automatically make characters want to interact with other characters whether positively or negatively. It uses these interactions as a way to migrate from one host to the next.

Image Descriptions from left to right: First image has a playing card and two white dice, second image has a text bubble that reads, "I'm not a Soft Gay I'm an Anger Gay. I love dogs and burning things." Third image shows a field of grass and wildflowers with a free-standing picture frame with torn canvas, the torn spot revealing a city scape image.

Two Truths & A Lie

Content Warnings.

Forced honesty and deciet via parasitic mind control. Implanted knowledge. Potential forced vulnerability.

Summary

Characters are forced to break in their Fermii accounts by publicly posting two truths and a lie for other characters to figure out. This is a network prompt.

Prompt.

Who isn't familiar with the bizarre urge to overshare to total strangers online? It would appear that the mysterious goo has an intimate understanding of this instinct and intends to capitalize on it.

In other words, the mysterious goo's influence is not limited to in-person interactions. Even characters unfamiliar with technology will have the burning desire to get out their new phone and create a public post to all Fermii users containing two truths and a lie about themselves.

These can range from embarrassing and silly to serious and incriminating. Characters will continue to feel an itch to respond transparently to those who correctly guess which is which. Even the most sophisticated and chronic liars cannot resist the force of the mysterious goo's presence.

The urge to overshare will ebb away the more truth is exposed.

Ironically, this may be a minor blessing to those unfamiliar with smartphone technology. It would seem that the mysterious goo has managed to assimilate the knowledge of how smartphones work and helpfully pass it into the mind of its host. However, the price of exposure might not be worth the shortcut to knowledge.

code

Flat | Top-Level Comments Only

I know which one's the lie, I've seen you fight a hundred times.

Then you've got your answer on what happened.

Okay. Fine, you don't have to talk about it.

You're the worst at this game. Yours is the coffee btw.

[But, fine, okay, now that that's out of the way:] What do you want to know? I gave it my all, and she's always been better. Nearly saved her from herself, too. But you know how she is when she's set on something.

I do. But what I don't understand is why one of you had to die.

It's fucking space magic. I don't know why the hell it works the way that it does.

Okay. I'm sorry I asked. Where are you?

Trying not to die outside a big college hall. Apparently. Which I'm presuming you're also at. The college.

Jesus Clint, start with that. Yes, I'm here. I'll check around campus, unless you've got a better idea of where you are.

Everything's made of exploded train okay I might be a little disoriented

Okay. I'll come get you.

[Look. Could he be more descriptive which college campus building he's slumped against? Yes. He's not blind. Disoriented, yes, plenty of that, but not blind. But he doesn't feel like being helpful. He feels like...ugh, he just feels things that are strange and uncertain.

But also one dorm looks like another, so like, how does he know Monty Hall from any other? He doesn't, right now. He makes his fingers move anyway.]

There's a pond. Shit I think something's moving in it hope it's not a person. Some kind of clock tower behind where I'm at.

[Typing with one hand sucks. How do the kids these days do it?]

Wait, I know where that is. Okay, move away from there, I'll be there in five.

Away from here? Then how the hell will you find me? God fine I'll go around the other side of the building. More away from the wreck.

Well, keep walking in that direction, and I'll find you.

[He still actively looks like shit ~~even if someone's got the medical center up and running by now he would still, in fact, look like shit, so-~~ and the goopy disorientation hasn't abated, but so long as he can actually move without falling over, then it's fine. He'll be fine. Everything will be fine, with a fucked up head and an exploded train ride to he doesn't know where and injured and dead scattered across the grounds. Peachy keen.

Steve at least can be trusted. Not a stranger, not an enemy. Maybe shouldn't be here, but hey, neither should he.]

[ Steve finds Clint eventually, and runs over to inspect his wounds. ]

Hey bud, how are you feeling?

Hey. You're really here after all. [Was that in question? Well, he couldn't deny the texts, but seeing Steve in the flesh again is...honestly a little surprising anyway. He grips Steve's arm like making sure this is all real. Or like he's trying to stay upright. Both?] I can't hear too good right now.

Yeah, that's okay.

[ He holds onto Clint, keeping him steady. ]

Can you walk? I think I passed the medical station on the way here.

[He watches Steve's mouth carefully, figures in context clues. Nods.] Yeah, yeah I can walk, just might have to hold on for balance. [Something he normally doesn't have much problem with. Except in cases like 'tossed around a mystery exploding train' (and 'infected with pseudo-Venom goo').]

[ He nods and starts off, hoping that they can find a good pace together. If not, he's just going to carry Clint and he knows Clint won't like that.

Thankfully the campus isn't overly large, so he can see the infirmary. He points out the building. ]

That's where we're going.

[Clint wouldn't like the affront to his pride, no. The goopier side of him might be into it. He isn't currently keen on testing the idea either way at the moment though. He's been well enough (for a given definition) to be texting a dumb game, so the wobbliness from the crash itself has been long shaken off. Maybe it's the head injury? Gotta be him banging his head, yeah.]

Damn, Cap, you already got this place figured out. This where you went?

Not sure what you mean by that. We're both here, aren't we?

[ But Clint is probably just a little discombobulated, so Steve won't hold it against him. Hell, Steve's disoriented himself. ]

Talk when we get you somewhere you can heal up.

No no no, but-- [It's a little petulant, maybe, a confused noise. Is he not being clear? Fuck, nothing seems clear right now. Maybe, maybe he should listen (so to speak) to Steve. Leave it for later. He grips a little tighter, leans more of his weight against his former teammate.]

Are you okay? You okay, your super everything kick in?

My super-- what?

[ But then he thinks about it, and realizes what Clint's talking about. ]

The serum. You mean the serum. Uh, kind of.

[ He doesn't feel as strong as he ought to be. He doesn't really know how strong that is, but in his memories, he's pretty strong. ]

Don't worry about that.

(no subject)

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